These elements are also responsible for the office’s new spatial identity, spending, of course, as little as possible.
So, the old workstations are framed in a single big wooden table in the middle of the room, the library – the thin Ikea Billy – is reinforced with fluo-colored supports. The door is a translucent gate, angled not to intefere with the entrance to the common bathroom. The new lamps, simple neons, are not hung to the ceiling. Instead, they are strapped to a large yellow fishnet that spans all above the space and works as a soft false-ceiling: the lamps are heavy enough to produce local deformations of the net, tranforming it in a transparent, three-dimensional structure. Above the net, electric cables look nicer.